Media
Theory Reading List -- Andrew Mall
Adorno,
Theodor. 1991. The culture industry: Selected essays on mass
culture. Edited by J. M. Bernstein. New York: Routledge.
________
and Max Horkheimer. 1993[1947]. The culture industry: Enlightenment
as mass deception. Translated by John Cumming. In The cultural
studies reader, ed. Simon During, 29-43. New York: Routledge.
Albini,
Steve.1997[1993]. The problem with music. In Commodify your
dissent: Salvos from The Baffler, ed. Thomas Frank and Matt
Weiland, 164-76. New York: W. W. Norton & Company.
Anderson,
Benedict. 1991[1983]. Imagined communities: Reflections on
the origin and spread of nationalism. New York: Verso.
Appadurai,
Arjun. 1990. Disjuncture and difference in the global cultural
economy. Public Culture 2, no. 2:1-24.
________
and Carol A. Breckinridge. 1988. Why public culture? Public
Culture Bulletin 1, no. 1:5-9.
Barthes,
Roland. 1977. Image, music, text. Trans. Stephen Heath.
New York: Hill and Wang.
Benjamin,
Walter. 1999[1968]. Unpacking my library. Edited by Hannah Arendt.
In Selected writings volume 2: 1927-1934 , ed. Michael
W. Jennings, Howard Eiland, and Gary Smith, 486-93. Cambridge:
The Belknap Press of Harvard University Press.
________.
2002[1989]. The work of art in the age of its technological reproducibility:
Second version. In Selected writings volume 3: 1935-1938 ,
ed. Michael W. Jennings and Howard Eiland, 101-133. Cambridge:
The Belknap Press of Harvard University Press.
Bennett,
Andy. 2000. Popular music and youth culture: Music, identity,
and place. New York: St. Martin's Press, Inc.
Bohlman,
Philip V. 1993. Musicology as a political act. The Journal
of Musicology 11, no. 4:411-36.
Bourdieu,
Pierre. 1991. Language & symbolic power. Translated
by Gina Raymond and Matthew Adamson. Edited by John B. Thompson.
Cambridge: Harvard University Press.
________.
1993. The field of cultural production. Edited by Randel
Johnson. New York: Columbia University Press.
Cohen,
Sara. 1991. Rock culture in Liverpool: Popular music in the
making. New York: Oxford University Press.
Gilbert,
Jeremy. 1999. White Light / White Heat: Jouissance beyond
gender in the Velvet Underground. In Living through pop,
ed. Andrew Blake, 31-48. New York: Routledge.
Ginsberg,
Faye D., Lila Abu-Lughod, and Brian Larkin, eds. Media worlds:
Anthropology on new terrain . Berkeley: University of California
Press.
Grossberg,
Lawrence. 1992. We gotta get out of this place: Popular conservatism
and postmodern culture. New York: Routledge.
Habermas,
Jürgen. 1991[1962]. The structural transformation of the
public sphere: an inquiry into a category of bourgeois society.
Translated by Thomas Burger. Cambridge: The MIT Press.
Hebdidge,
Dick. 1979. Subculture: The meaning of style. New York:
Methuen.
Kracauer,
Siegfried. 1995. The mass ornament: Weimar essays. Translated
and edited by Thomas Y. Levin. Cambridge: Harvard University Press.
Manuel,
Peter Lamarche. 1993. Cassette culture: Popular music and technology
in North India. Chicago: University of Chicago Press.
McLuhan,
Marshall. 1994[1964]. Understanding media: The extensions of
man. Cambridge: The MIT Press.
Moore,
Allan F. 2002. Authenticity as authentication. Popular Music 21,
no. 2:209-23.
O'Connor,
Alan. 1999. Whos Emma and the limits of cultural studies. Cultural
Studies 13, no. 4:691-702.
________.
2002. Local scenes and dangerous crossroads: Punk and theories
of cultural hybridity. Popular Music 21, no. 2:225-36.
Rose,
Tricia. 1994. Black noise: Rap music and black culture in contemporary
America. Hanover: University Press of New England.
Sabin,
Roger, ed. 1999. Punk rock: so what?: The cultural legacy of
punk. New York: Routledge.
Shank,
Barry. 1994. Dissonant identities: The rock'n'roll scene in
Austin, Texas. Hanover: University Press of New England.
Strinati,
Dominic. 1995. An introduction to theories of popular culture.
New York: Routledge.
Taylor,
Timothy D. 1997. Global pop: World music, world markets.
New York: Routledge.
Thompson,
E. P. 1992. Customs in common: Studies in traditional popular
culture. New York: New Press.