The Chicago School of Media Theory > Projects > Theories of Media Annotations



A-K, L-Z

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Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 1981. Annotation 1. [view]

Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 1981. Annotation 2. [view]

Baxandall, Michael. "The Language of Art Criticism" in The Language of Art Criticism, edited by Salim Kemal and Ivan Gaskell. Cambridge UP, 1991. [view]

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Bergson, Henri. "Of the Selection of Images for Conscious Presentation. What Our Body Means and Does," in Matter and Memory. New York: Zone, 1991. [view]

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Booth, Wayne. Modern Dogma and the Rhetoric of Assent. Chicago: U of Chicago Press, 1974. [view]

Bourdieu, Pierre. "Introduction" and "The Aristocracy of Culture," in Distinction: A Social Critique of the Judgement of Taste, translated by Richard Nice. Cambridge: Harvard UP, 1984. p. 1-96. [view]

Buck-Morss, Susan. "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," October 62 (Fall 1992): 3-41. [view]

Buck-Morss, Susan. "Dreamworlds of Mass Culture" in Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West. Cambridge: MIT Press, 2000. [view]

Chion, Michel. Audio-Vision: Sound on Screen. New York: Columbia UP, 1994. [view]

Chadabe, Joel. Electric Sound: The Past and Promise of Electronic Music. Upper Saddle River, NJ: Prentice Hall, 1997. [view]

Cole, Michael. "The Demonic Arts and the Origin of the Medium," Art Bulletin (December 2002). [view]

Crary, Jonathan. Suspensions of Perception. Cambridge: MIT Press, 1999. [view]

Crimp, Douglas. On the Museum's Ruins. Cambridge: MIT Press, 1995. [view]

Deleuze, Gilles. "The Movement-Image and Its Three Varieties," in Cinema 1: the Movement-Image. [view]

Deleuze, Gilles. "Nomad Thought," in The New Nietsche: Contemporary Styles of Interpretation, edited by David Allison. Cambridge: The MIT Press, 1985. [view]

Deleuze, Gilles and Felix Guattari. "Rhizome," in A Thousand Plateaus. [view]

der Derian, James. "The (S)pace of International Relations: Simulation, Surveillance, and Speed." International Studies Quarterly 34 (1990), pp. 295-310. [view]

Didi-Huberman, Georges. The Invention of Hysteria. Cambridge: The MIT Press, 2003. [view]

Dixon, Michael, ed. Anne Bogart: Viewpoints. Smith and Kraus, 1995. [view]

Eco, Umberto. A Theory of Semiotics. Bloomington: Indiana UP, 1976. [view]

Flusser, Vilem. "Line and Surface" and "The Codified World," in Writings, edited by Andreas Strohl. Minneapolis: University of Minnesota Press 2002. pp. 21-34; 35-41. [view]

Foster, Hal. "Art Critics in Extremis" and "This Funeral Is for the Wrong Corpse" in Design and Crime (and Other Diatribes). London: Verso, 2002, pp. 104-43. [view]

Foster, Hal. "The Artist as Ethnographer," in The Return of the Real. Cambridge: The MIT Press, 1996. [view]

Foster, Hal. Recodings: Art, Spectacle, Cultural Politics. Bay Press, 1985. [view]

Frye, Northrope. "The Mythos of Winter: Irony and Satire," in Anatomy of Criticism. [view]

Gilbert-Rolfe, Jeremy. Beauty and the Contemporary Sublime. New York: Allworth Press, 1999. [view]

Greenberg, Clement. "The Crisis of the Easel Picture," "Collage" [view]

Greenberg, Reesa, Bruce W. Ferguson, and Sandy Nairne, eds. Thinking About Exhibitions. New York: Routledge, 1996. [view]

Grosz, Elizabeth. "Cyberspace, Virtuality, and the Real," in Architecture from the Outside. Cambridge: MIT Press, 2001. [view]

Heidegger, Martin. "Age of the World Picture" [view]

Herder, Johann Gottfried. Sculpture: Some Observations on Shape and Form
from Pygmalion’s Creative Dream. U of C Press, 2002. [view]

Higgins, Dick. Horizons: The Poetics and Theory of the Intermedia. Southern Illinois UP. [view]

Jameson, Fredric. "Reification and Utopia in Mass Culture," in Signatures of the Visible. New York: Routledge, 1990. pp. 9-34. [view]

Kemal, Salim and Ivan Gaskell, eds. The Language of Art History. Cambridge UP, 1991. [view]

Kierkegaard, Soren. "The Immediate Erotic Stages or the Musical Erotic," in Either/Or. [view]

Krauss, Rosalind. A Voyage on the North Sea: Art in the Age of the Post-Medium Condition. London: Thames & Hudson, 2000. [view]

Kuspit, Donald. The Cult of the Avant-Garde Artist. Cambridge UP, 1993. [view]

Kwon, Miwon. "Genealogy of Site Specificity," in One Place After Another: Site-Specific Art and Locational Identity. Cambridge: The MIT Press, 2002. [view]

A-K, L-Z